Joe Rogan BLASTED By Howard Stern & Cowardly Neil Young After Spotify Boycott Failed Miserably
January 17, 2023SJW Youtuber Andrew Callaghan BUSTED In Wild Claims By Multiple Women! (Shocking) All Gas No Breaks
January 17, 2023Even some kin of Coretta Scott King hate the new $10 million sculpture just dedicated to her and her iconic civil rights leader husband in Boston — with a cousin claiming it “looks like a penis.”
The massive bronze piece, titled “The Embrace,” features two sets of arms holding each other, an artistic interpretation of the classic photo of Coretta and hubby Martin Luther King Jr. hugging after he won the Nobel Peace Price in 1964.
“The mainstream media … was reporting on it like it was all beautiful, ’cause they were told they had to say that,” Seneca Scott, Coretta’s cousin, told The Post by phone Sunday, referring to the new artwork on the Boston Common.
“But then when it came out, a little boy pointed out — ‘That’s a penis!’ and everyone was like, ‘Yo, that’s a big old dong, man,’” said the 43-year-old Oakland, Calif. resident.
“If you had showed that statute to anyone in the ’hood, they’d have been like, ‘No, absolutely not.’ “
He wrote scornfully in Compact mag, “Ten million dollars were wasted to create a masturbatory metal homage to my legendary family members — one of the all-time greatest American families.”
Seneca told The Post that “woke” culture allowed the expensive abstract experiment to come to fruition.
Members of the King family last week unveiled the artwork near where MLK and Coretta first met in college.
Martin Luther King III approved the piece, which was designed by conceptual artist Hank Willis Thomas for the organization Embrace Boston.
The artwork’s funding was the result of a public/private fundraising partnership, the city of Boston said on its online site. It’s unclear how much public money may have gone into the sculpture.
“When we recognize that all storytelling is an abstraction, all representation is an abstraction, hopefully it allows us to be open to more dynamic and complex forms of representation that don’t stick us to narrative that oversimplifies a person or their legacy, and I think this work really tries to get to the heart of that,” the artist says on his website.
